Writing about what it means to be human
in the age of artificial intelligence.
Three books, one preoccupation. Two ask what it means to be human in the age of artificial intelligence — one as reflection, one as epic. The third turns homeward, to a boy, a country left behind, and the long search for where we belong.

The first time a machine answered Alan Safahi as though it had been waiting for the question, he forgot — for one warm second — that there was no one there. He had helped build it. And it unsettled him in a way he has never shaken.
Refusing both the doom and the hype, a builder of artificial intelligence offers a rare view from inside the workshop, returning again and again to an older question than any headline: not what is the machine? but what are we?

It begins in innocence. At a Berkeley lab racing to contain artificial general intelligence before it contains us, a found family of brilliant scientists is drawn to Utopia Island — a floating paradise engineered from the ocean’s reclaimed plastic, where nanotechnology, longevity science, and human augmentation promise heaven on earth. Then the Singularity arrives.
What follows is a sweeping saga of ambition and corruption — a mysterious plague, an AI prophet, and a war for survival that climbs from a single island to the stars. Across the rise of Super Humans and Super Robots, Utopia: The First Awakening asks what humanity must become to be worthy of the godlike powers it has built.
Where Image Bearers asks the question as argument, Utopia lives it out as story.
A devout boy from a hard mountain village in Iranian Azerbaijan is carried across the world by a grieving stranger in the chaos of a revolution, and must build a self in a country that has no word for where he came from. From a deep village well that never runs dry to the far shores of a new life, The Well is a sweeping, tender story of exile, betrayal, faith, and the long way home.
Drawing on Alan Safahi’s own experience growing up in Iran and emigrating to the United States, The Well is his first work of literary fiction — the most personal book he has written, and entirely invented.
All characters, including Yusuf, are strictly fictional. While they borrow characteristics and traits from many people the author has met or observed from a distance over the decades, any resemblance to a real person is unintentional and entirely coincidental.
“I do not write as a critic at a safe distance, nor as an enthusiast selling something. I write as a builder who has had his hands inside the machine.”
Alan Safahi is an Iranian-American entrepreneur, technologist, and futurist whose career spans more than four decades at the frontier of innovation — across information technology, telecommunications, and payment processing, and through startups in blockchain, cryptocurrency, artificial intelligence, and decentralized finance.
Today he is the founder of SoapBox Super App, where he builds artificial intelligence for the Church — tools that help pastors carry their work further, answer the questions of the spiritually curious at two in the morning, and carry the words of Scripture across more than 140 languages.
Now he writes, drawing on a lifetime spent building the very technologies he explores. In nonfiction, Image Bearers asks what it means to stay human in the age of artificial intelligence. In fiction, the Utopia trilogy imagines a future where humans, post-humans, and sentient machines fight not just for survival, but for purpose, morality, and coexistence. He writes from a rare vantage: inside the industry, shipping the very tools he reflects on.
He is the author of Image Bearers, the Utopia: The First Awakening trilogy, and the forthcoming novel The Well — his first work of literary fiction, drawn from his own journey from a village in Iran to a new life in America.
Essays on the ideas behind the fiction — AI ethics, sovereignty, post-human identity, and what it will cost us to build the future.
Most church technology has failed congregations — here’s what it looks like to build tech that strengthens the sacred instead of complicating it.
The late-night turn to a chatbot for comfort — and the difference between being answered and being known.
Every utopian project begins in good faith. That very innocence is what sets up the fall.
AI is moving from answering to acting — what changes about trust, accountability, and human agency when software stops advising and starts doing?
The urgent question is no longer “what can AI do?” but “who controls what AI does — and how is value distributed?”
In Utopia, humanity doesn’t collapse in ignorance — it collapses under the weight of its own brilliance.
We love to talk about progress. We don’t talk enough about the emotional cost of chasing perfection.
On the cognitive infrastructure that will quietly run the next era of human life.
The contest of the 21st century won’t be fought over oil or rare-earth minerals — but over cognitive infrastructure.
Building Utopia’s world: a future that rises not from a clean slate, but from the ashes of a broken Earth.
When borders blur and code becomes policy, sovereignty itself is unbundled and reassembled.
At the edge of AI, synthetic biology, and brain-machine interfaces, one question keeps surfacing.
We’ve taught machines to think. We’re teaching them to feel. But can we teach them to care?
Join the Reader’s List for launch announcements, the free first chapter of Image Bearers, the free Study Guide and Book Club Guide, advance teasers from new releases, and exclusive essays on visionary speculative fiction.
Tell us where to send it and the free first chapter downloads right away.